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Wistron Corporation Colleagues Explores Guandu, Embracing the Unique Charm of Nature Art
As autumn set in, Guandu gradually transitioned from hot weather to cooler, unpredictable conditions. Just days earlier, Taipei had experienced chilly, damp rain brought by the northeast monsoon. However, on October 20, the day of the event, the weather was stunning—warm sunshine and clear blue skies adorned with white clouds. It was the perfect setting for the Wistron Corporation colleagues to visit Guandu Nature Park and enjoy a guided tour of the "2024 Guandu International Nature Art Festival," led by curator Bo-Sen Liao.
The Wistron Corporation special tour of the "2024 Guandu International Nature Art Festival" was personally guided by curator Bo-Sen Liao and featured the artwork "Wings and Waves: The Intersection of Bird Migration and the History of Overseas Chinese" by Thai artist Anusorn Tunyapalit.
Since 2022, the Wistron Foundation has supported the Wild Bird Society of Taipei in protecting Guandu Nature Park. This year marks the foundation's second year of sponsorship and participation in the "Guandu International Nature Art Festival." For the first time, the foundation invited curator Bo-Sen Liao to personally guide the tour for Wistron Corporation colleagues. The 2024 festival, themed "Ecology, as a Perception," features works by six artists from France, Japan, Thailand, and Taiwan, along with "Ascending Home," a piece created by Wistron Corporation volunteers. The tour also included a visit to last year’s artwork, “Ascending Blessings”, exhibited at the No. 2 Birdwatching Cabin and crafted by Wistron Corporation colleagues. Through this experience, participants not only explored the seven featured artworks but also deepened their appreciation for Guandu Nature Park, a national wetland steeped in cultural history. The tour inspired artistic creativity and encouraged thoughtful reflection on their personal connection with nature.
Top-left: Wistron Corporation colleagues admire the 2023 Wistron artwork, “Ascending Blessings”, near the No. 2 Birdwatching Cabin. / Bottom-left and right: Curator Bo-Sen Liao explains the 2024 Wistron artwork, “Ascending Home”, located between the Moon Pool and the Conservation Core Area.
The Curator's Tour Bridging Nature, Culture, and Art
The curator is the driving force behind the planning and organization of the art festival. Bo-Sen Liao, who has served as curator for three consecutive years, compared the Wistron Corporation colleagues to the participants of his other guided tours: "First of all, regarding artistic creation, the two artworks by the Wistron Corporation colleagues have truly amazed me. The seemingly ordinary driftwood, when shaped by all the participants’ hands, exudes a sense of maturity and expression. Working with driftwood requires not only imagination but also meticulous comparison and adjustment of various angles. Without heartfelt dedication, it would be impossible to achieve such results. This serious and practical spirit deeply impressed me. Additionally, during the feedback session after the tour, I noticed that what appeared to be rational, tech-oriented Wistron colleagues were actually very emotional and attentive in their interactions with family. Witnessing this was both beautiful and deeply moving for me."
Wistron Corporation colleagues listen to a commentary on Fiona Paterson's “Pillars of Life”, and their children attentively observe and appreciate the artwork.
Connecting with Each Other in Nature: Tacit Understanding and Unspoken Resonance Among Family Members
Chien-ming Pan (Bill), a long-time volunteer with the foundation, shared during the event: "I brought my wife on the tour and didn’t tell her I had contributed to the artworks. But when she stood before the works of over forty colleagues, she was able to correctly identify mine!" Bill’s heartfelt story moved everyone, and the colleagues gave the couple a warm round of applause for their deep understanding and connection.
[Event Feedback] Surprises, Insights, Gratitude, Emotions, and Reflections from Wistron Corporation Colleagues After the Tour
- From the perspective of a volunteer involved in both the creation and on-site setup, as well as a visitor attending the art festival, I can only describe the experience as an unexpectedly wonderful journey. I’ve never been skilled in drawing or any form of fine art, and I always felt that art was distant from me. Although I love birds and trees, I used to think that simply observing and photographing them was enough. I never imagined that a spontaneous impulse could lead to such a discovery—that I could serve as a bridge between artistic creation and natural ecology. This year’s theme, "Ecology, as a Perception," invites creators to surrender themselves to nature, setting aside judgments of beauty or flaws, and to immerse fully in dialogue with the natural world. For visitors, the festival offers a chance to connect with both nature and the creators. Through the artworks, one can experience diverse facets of the natural environment. Ecology is not an abstract concept; it is the living world around us—our everyday surroundings and the creatures within them. The art festival is not just an event spanning from September 22 to December 31—it is an ongoing process, continuously curated, created, and lived in our daily lives. (Tsui -Fen Feng, Alice)
- The 2024 Guandu Nature Art Festival tour showcased the unique and clever works of several artists. Fiona’s “Pillars of Life” stood out to me, seamlessly blending with the natural environment. Each pillar symbolizes an essential aspect—environment, society, and economy—that prompts reflection. In Taipei, where skyscrapers dominate the landscape, intact wetlands are rare treasures. The curator shared a story about ancient people using explosives to break open stones in order to address flooding issues, which was deeply thought-provoking. The diversity of plants and animals in this wetland reminded me of nature's wonders and vitality. Every species plays a unique ecological role, and it is crucial for us to act—protect natural resources, reduce pollution, and minimize waste—to preserve this vital habitat for wildlife. (Zhi-Xuan Lin, Jimmy)
- Each artist seeks to express something through their work, whether it's an artistic concept or a meaningful message. This time, through the curator’s perspective, we gained valuable insights into the meaning and symbolism behind these creations—insights that are rarely accessible to those outside the art world. I am deeply grateful for the Wistron Foundation’s contributions to Guandu Nature Park and the curator’s efforts in conveying the essence of this exhibition. It has been an enriching and rewarding experience for all of us. (Jo-Ying Hsueh, Carrie)
- Through the insightful yet easy-to-understand introduction, we gained a clear understanding of the value and significance of sustainability. The carefully planned routes, combined with lively explanations, provided a rich sensory experience—engaging our sight, hearing, and touch. Immersing ourselves in the natural environment allowed us to truly appreciate the interaction between humans and various species. It was an unforgettable experience. (Ting-Yu Chen, Dean)
- This was my first visit to Guandu Nature Park and my first experience with the Guandu International Nature Art Festival. Each artwork conveyed the artist's intention to use the elements of this place to forge a connection between the land and the emotions of the viewers. I am deeply grateful to the Wild Bird Society of Taipei. Their enthusiastic volunteers helped city children observe wild ducks and herons through binoculars, allowing them to realize just how close we truly are to nature. (Kun-fu Chang, Kelvin)
- All living beings are born and nurtured within Mother Nature, and humans are merely a part of it. While we pursue economic growth and engage in social activities, we must continually reflect on how to maintain a harmonious coexistence with nature. Excessive economic activity inevitably depletes vast amounts of natural resources and further damages ecosystems. Similarly, an overabundance of social activities can disrupt natural ecosystems, leading to the displacement of biodiversity. Through the curator’s explanations, we gained insights into the artists’ creative concepts, which served as a reminder to constantly reflect on our relationship with nature and the challenges of sustainable development. (Chien-ming Pan, Bill)
Left: Wistron colleague Alice poses with her artwork, “Taiwan Barbet That Loves to Peck Wood” / Right: A colleague immersed in Lichun Tseng's installation, “Seed.”.
